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Once upon a time, determining the characteristics of a film, Bela Balazs said the three properties of a new art installation, changing perspective and distance (close-up).
Since then, it took many decades, the art of cinema has gone through many changes. Not in a position to question the specificity of modern cinema as a whole address (this topic is still waiting for his researcher), let the changes in the film that are associated with the development of the relationship between screen and audience to concentrate. The investigation of this question is particularly important, because it largely explains the features of the pedagogical function of cinema in recent times.
As I said earlier, is the modern cinema quite different than a presentation of the art of the 20s and even 30-40s. The Seventh Art, the youngest of all, changing with each passing decade. This is not surprising: 10 years of life with a total of sixty small - a significant amount of time.
On the development of cinema, the emergence of a new poetics, said changes in the means of expression of the literature about the film little offensively. Critics and theorists to argue about the nature of cinema, they say most of these qualities of his that were in the early years of the talkies made to 1934-1935 years. Therefore, the concepts of film language is archaic, imperfect means of expression used by the authors of the film is not actually in our scientific use.