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| A special feature of the modern cinema is an epic quality. This does not mean, however, that the viewer will not engage in telling on the screen.Simply changed its form of participation. If the filmmakers had clearly defined path and the degree of audience participation in an event that is now largely provided by the viewer. The filmmakers present events in the form in which they observe any of us if we could pass to the living witnesses of the events. We can see the audience, events, and the conclusions which we have formed under the influence of the events themselves and their careful analysis related. And it demands the viewer sensitivity, intelligence, the availability of certain moral and aesthetic ideals. Iros Ernst wrote in his book on screenwriting, should the film show no movement of people and movement in man, not a series of external events, but "many" spiritual experiences. But while the idea Irosa was nothing more than a dream, a hypothesis that real contours of which hardly excelled in several movies. Now it was a sign of modern cinema. |