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After Bela Balazs, one of the first theorists of the "great silent", and threw aphoristic sentence: "The apparatus is dying Muse." In fact, in the first decades brought the art of filmmaking miracle, a camera, the possibilities of the camera (ie they are based and editing, and camera angles and close-up!) Largely determines the poetry and the expressive resources of the new art. Cinema went quickly from the inclusion of a stationary camera tries to dizzying passages and Abel Gance in the movie "Napoleon" to (put these miniature cameras in the footballs and throwing them) to fight in the sense of flying cannonball show.
For the modern cinema is more appropriate definition: A person is a muse. More of the art cinema, the outside of the categories of the visible area, it is art that shows the inner meaning of the first, what happens in the spiritual world of the characters.
Artists movie totally free from the dictates of the technology and try to reach only insofar as they demonstrated for a full disclosure of the nature of the screen, people and events. In this regard, in many ways changed the nature and audience participation in the creation of the cinematic image. Earlier, with sharp angles, close-ups highlight detail, sharp editing and other technical means, the filmmakers only way to determine public perception of the scene. The authors were sitting in the audience by the hand, not giving them to interpret their rights effectively spectator events. Filmmakers not only talked, but each time was given immediately to learn as a comment.